Anchor Points
major venues to pick up information
 
 
 

Druckversion      back to the previous page | 2/2 |

Hohenhof

Die Jugendstil-Villa des Osthaus Museums Hagen
Stirnband 10
58093 Hagen-Eppenhausen
Fon 0 23 31 | 55 99-0
www.osthausmuseum.de
                                            

Geodaten
51° 21' 34" N, 7° 30' 44" O
RVR-Geodatenserver
                                            

ÖPNV
Von Hagen Hbf ZOB (Bussteig 3) mit Bus 527, von Hohenlimburg Bf. mit Bus 534 bis "Stirnband"
                                            

Öffnungszeiten

Sa und  So 11.00 - 18.00 Uhr
                                            

Aktuelle Veranstaltungen finden Sie in route aktuell.
                                            

Allgemeine Hinweise für den Besuch im Rollstuhl Allgemeine Hinweise für blinde und sehbehinderte Gäste
Hinweise für Besucher mit Behinderung finden Sie hier:
                                            

Der Hohenhof ist eine Außenstelle des Osthaus Museum Hagen:
Kunstquartier Hagen
Museumsplatz 3
58095 Hagen
Fon 0 23 31 | 2 07 31 35
www.osthausmuseum.de
                                            

Seit 2002 ist der Hohenhof, initiiert durch den Stadtmarketingverein und in Zusammenarbeit mit der Firma Hoffmeister Leuchten und vielen anderen Partnern, nachts illuminiert.

Hohenhof

© RIK/ Guntram Walter

Van de Velde designed the interior of the building entirely in a single concept: the design of the furniture, wall decorations and floor coverings, lamps and fabrics, crockery and cutlery was decided on after discussions with the owner. Various works of art were specifically selected to decorate the main rooms and the colour concept for the surrounding furnishings was selected to harmonise with them. The most significant of the paintings were Ferdinand Hodler’s "Auserwählter" (The Elected) in the reception room and Edouard Vuillard’s "Autumn in Paris" in the ladies’ room. Henri Matisse painted a triptych of tiles for the winter garden, and Jan Thorn-Prikker created the glazing on the staircase as well as the powerfully coloured stencils in the study. Sandstone reliefs by Hermann Haller flank the main entrance.

Van de Velde created a typical architect’s garden with a geometrical design and architectural spatial distribution. The southward garden axis, whose main element, the "Serenite" by Maillol, has unfortunately been destroyed, leads directly to the study. Nowadays this axis contains Othaus’s grave.

Karl Ernst Osthaus died in 1921 at the early age of 46 and as a result was unable to complete his "Gesamtkunstwerk Hohenhagen".

Osthaus has left many impulses on the town of Hagen. The memory of Osthaus is still kept alive north of Hohenhof. The Thorn-Prikker and the Milly-Steger streets remind visitors of the artists who were admired by Karl Ernst Osthaus. The painter and the sculptress belonged to the group of artists and intellectuals, who lived in the houses in his artists’ colony on the "Stirnband" road.

The "Walddorf" settlement is a further example of Osthaus’ creative ambitions. In 1907 Richard Riemerschmid was commissioned to design an estate consisting of 87 houses in the neighbourhood of Hohenhof. Unfortunately only six houses could be built along a section of a street. The completed fragment of the "Walddorf Settlement" gives some idea of the rustic character of the differently designed, small dwellings made of grey chalk sandstone with green windows.

Unfortunately the "garden suburb of Emst" also remained incomplete. It was intended for the less wealthy citizens of Hagen to enable them to lead a fulfilling life in the town and yet remain close to nature.


back to the previous page | 2/2 |